There are many things that drew me to re-imagining Noel Coward's The Rat Trap, an early play from the author of such enduring ...
New writing takes many forms: this is one of the glories of contemporary British performance. One of these is the shared narrative, a style pioneered decades ago by Irish playwrights such as Brian ...
From his sickbed, after a nervous breakdown during basic training for the army, the 18-year-old Noel Coward started churning ...
Irish trio of accordion, voice, fiddle and piano. The voice belongs to Méabh Begley, from Kerry’s prominent musical family – ...
On a dank January evening in St Albans, there seemed little sign of life or excitement on the streets. To reach my ...
On a dank January evening in St Albans, there seemed little sign of life or excitement on the streets. To reach my ...
Spanning centuries, cultures and an ocean, Finn Anderson and Tania Azevedo’s new musical, Ballad Lines (say it fast and it ...
There is nothing to compare with the visceral experience of hearing a massed choir – in this case the 230-strong combined ...
The latest brainwave of director Richard Linklater is wonderfully simple: don’t do another remake of Jean-Luc Godard’s debut ...
There is nothing to compare with the visceral experience of hearing a massed choir – in this case the 230-strong combined ...
In 2016, when Richard Jones's production of Musorgsky's original 1869 Boris Godunov first amazed us, Putin had invaded Crimea but not the rest of Ukraine, and tens of thousands protested election ...
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