This year the Royal Court is 70 years old. Yes, it’s that long since this premiere new writing venue staged its opening ...

It was a pleasure to see conductor Duncan Ward back in Manchester. His Hallé debut was by no means his first time in the city ...

It’s no coincidence that synth heavy 1980s AOR is one of the first genres to generate significant online hits. Not just ...

This is a tasteful but somewhat unmoving adaptation of writer Helen MacDonald’s memoir, which in 2014 won the Samuel Johnson ...

Lionel (Paul Mescal; played as a child by Leo Cocovinis) has perfect pitch and is able to name the note his mother coughs ...

On a motorcycle, you have to slow down once you get that sinking feeling that there’s an accident on the road up ahead. Even ...

One of the many dispiriting things about the nine years that span Trumpino’s 2017 inaugural and today is how very few ...

To the rich but faintly melancholy strains of Mozart’s Piano Concerto no 23, the latest release from Korean director Park Chan-wook sets up its protagonists for us, a carefree family enjoying a ...

Every visit by Vladimir Jurowski, the London Philharmonic Orchestra's former Principal Conductor and now Conductor Emeritus, is unmissable, and this fascinating programme outdid expectations. If there ...

I’ve grown apart from trap as a genre over the years, which is exactly why DON’T BE DUMB caught me off guard in the best way.

Humour is a good way of defusing tense situations. You know, social embarrassments, personal difficulties and existential ...