Andrew Garfield leads the 1381 Peasants’ Revolt in a historical drama from Paul Greengrass that keeps the action moving, but loses its character development in the mud.

For a special 1995 Sight and Sound supplement on film censorship, the writer and director of The Devils detailed his ambitions for the film – including his rationales for its most scandalising scenes ...

Marking the UK debut of the Displacement Film Fund’s first five shorts, Cate Blanchett and filmmaker Shahrbanoo Sadat talk creative risk, resilient communities and the importance of bringing displaced ...

Theo Rollason’s remarkable found-footage documentary examines the wider political context that shaped Derek Jarman’s creation of his 1991 drama Edward II.

October brings subscription exclusives for David Cronenberg’s The Shrouds and Damiano Michieletto’s Venetian drama Primavera, plus films from Dario Argento, Charles Burnett and Isaac Julien.

Alejandro González Iñárritu’s big, unsubtle film about an impending climate catastrophe caused by reckless oil drilling is short on laughs, but has a powerful weapon in Tom Cruise’s barnstorming ...

For what is rumoured to be his final film, Mike Leigh meanders through the milieu of a British social worker, whose friends and family members do their best to care for one another in the face of ...

In her award-winning first feature At Night, women drift through the Paris night sharing stories of creativity, motherhood, desire and difference. Ahead of its premiere at LFF, Gibson spoke to us ...

With Na Hong-jin’s action-packed creature feature Hope currently in cinemas, we celebrate the peaks of South Korean sci-fi since the turn of the millennium.

Released during the band’s heyday but swiftly forgotten, Take It Or Leave It recreates the rise to fame of one of Britain's best loved pop bands. As the film is re-released in 4K for cinema and DVD, ...

The showcase features screenings of exclusive extracts from each project, with introductions by their filmmakers to an invited audience of international buyers, UK sales agents, distributors and ...

The then British Board of Film Censors was not the only obstacle to Ken Russell's conception of The Devils in the 1970s – and nor was it monolithic in its judgement. Linda Ruth Williams reveals the ...