Be it Ocean’s Eleven or The Great Muppet Caper, there are few cinematic genres that have proven more dependably sturdy than that of the heist film. Properly executed, the concept–unflappable ...
Will there someday be a movie where the “one last job” goes off without a hitch? Not Contraband, anyway, which begins with that time-tested premise, then subjects its protagonist to a feature-length ...
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